Marianne started out the evening with a whole medley of music from black and white movies, many from Fred Astaire & Ginger Rogers films: "Let's Face the Music & Dance," "Cheek to Cheek," "Let Yourself Go," and "Steppin' Out," amongst others.
Marianne jazzes up the start of the show! |
Laurie Krauz |
Marni Raab |
Marissa Mulder |
Steve "The Whistler" Herbst |
Marya Zimmet was next, singing "Cheek to Cheek," which fit her smooth vocals perfectly. She is working on a new show for Don't Tell Mama, which will be announced soon. Then, my friend Brian Allan Hobbs sat at the piano to play on his own composition, "That Greenwood Tree," performed vocally by the beautiful Aurora Barnes, who has a deep, rich voice that fit the Southern Blues song wonderfully. This song was from a musical written by Brian with lyrics by Michael Boynton on an inspiration of Twelfth Night. I, Sierra Rein, then performed, singing "With Every Breath I Take" from the color-and-black-and-white-musical City of Angels (which I'll start rehearsing on at Goodspeed Musicals in a week!). I then had the pleasure of letting The Salon members know that David Ballard (who was not waiting on tables that night) got an invitation to audition as a lyricist to the BMI program, after submitting a number of audio clips recorded at The Salon over the past weeks! Yay David! We're rooting for you! To complete the singers for the first half, the stately Maureen Taylor sang "More Than You Know," which was written for Mayo Methot, third wife of Humphrey Bogart, which is the 2nd degree of separation from Maureen's upcoming show "Taylor Made Legend: a Tribute to Lauren Bacall" in October and November!
And then it was Classical Corner time! Mark took a moment to look down at the piano and exclaim "What does black and white mean to a pianist?!?!" The answer, of course, is EVERYTHING, as without the black keys, the white keys are just a blur. The black keys provide perfect "road marks" for the visual and tactile abilities of pianists of all levels, and the black keys always add the warm and dark tones to every song. Songs in the key of C major (ie all of the white keys) are very bright, which is fine for a while...but the human ear and the human heart needs to hear those sharps and flats. For example, the key of E has a bright tonic key regardless of having four black keys, yet it has a richer tone than C major. Db is richer even more; it uses all the black keys and is quite evocative. He then played Chopin's "Ab Ballade," which is the most optimistic of his four ballades and which utilizes all the warmth that the black keys can offer.
Marianne Challis opened up the second half with a beautifully crafted three-song set. She was thrilled that her family (daughter and son) were in the audience to watch. She started out with a fast-paced, jazzy version of "I Can't Give You Anything But Love," from the 1931 movie "Happy Birthday." And speaking of Birthdays, we had a Birthday party in the back for Shelia, so Marianna conducted the entire Salon to sing a multi-part "Happy Birthday" to Shelia, which she topped off with a chocolate-esque martini. Marianne then sang "God Does But I Don't," a country song by Lyle Lovett about how some things are not as black and white as they seem. She then sang a gorgeous rendition of "Somewhere Over the Rainbow," which is of course from the first black and white portion of the famous movie The Wizard of Oz with Judy Garland.
Always the one to bring in unique songs from popular culture of every era, Tanya Moberly did not dissappoint, as she then sang "Black Tambourine" by Beck. She has shows up the wazoo, with solo works at Don't Tell Mama on October 17th and 24th, November 7th and 14th, then directing Marnie Klar's show on October 3rd, Novemer 1st and December 5th. We then had encores! Joan Jaffe came up and sang "You Make Me Feel So Young" (and watching Joan, the gesture was returned!). Richie Eisenberg sang the lovely and innocent waltz "Now That I Know How To Love Someone," and Marya Zimmet stayed on theme to sing the empowering standard, "Bye Bye Blackbird." Bill Zeffiro, taking a cue from the rain outside, took to the piano to play and sing through Randy Newman's "Every Time it Rains." With Bill still at the piano, Barb Malley sang "On The Other Side of the Tracks." Then, Steve Herbst whistled and sang "Summertime" (once again, written by white men and performed by a black cast). Then I (Sierra) sang "Shades of Grey," a song all about the lost "black and white" innocence of youth and easier times, recorded by The Monkees (Peter and Mike were my favs growing up) and written by Barry Mann and Cynthia Weil. Maureen Taylor came up second to last to sing "To Make The Boy a Man" from Goodtime Charley. Marianne closed the evening to sing a "Queen Petula" song, the crowd-pleasing "Downtown" - as she explained, she saw Queen Petula sing this in 1965 on the Ed Sullivan Show, in black and white on her old family TV.
Marianne admires Tanya's stems. |
Bill Zeffiro |
Mark and Marianne close the evening |
*I apologize profusely for this - so sorry! :)
NEXT SUNDAY! SALON – that unique, MULTIPLE AWARD WINNING, Weekly Open Mic Event, created and hosted by Mark Janas returns to Etcetera, Etcetera - 352 West 44th Street, NYC 10036 – on Sunday, August 21st from 7-10:30PM! (Sign-Up Begins at 6:15.)
The optional theme for the evening is “Friends & Lovers”. Remember, any material, on or off theme, is always welcome at Salon.
Our Co-Host will be the Delightful Carole Demas! Carole is of course best known for creating the role of Sandy in the Original Broadway production of “Grease”. She is also known as the beloved co-star of “The Magic Garden”, the most successful regional show in the history of children’s television. She will be appearing in “Simply Streisand” on August 24th and in her own show, “Summer Nights” on September 19th & October 17th - all shows at 7pm at The Laurie Beechman Theatre, 407 West 42nd St, NYC 10036, 212-695-6909. For more information about Carole's busy schedule: http://www.caroledemas.com/.
Salon continues every Sunday (except September 4th & September 11th)!
-Sierra Rein
The Blogette for The Salon
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